Watches around the world

Wherever you are on the planet, dependably monitor the hour with these comprehensively minded time zone observes

Watches around the world

Around the world

This piece from Vacheron Constantin joins three circles to keep the voyager up to speed on world time. A guide is key to the dial, encompassed by 37 city names, which is itself encased by a day/night ring. The Overseas World Time is accessible with a silver, blue or cocoa dial.

Refinement supplied

Glashütte Original's psyche boggling bit of watch-production has empowered the wearer to tell the time in two spots at the same thime crosswise over 37 zones. In the case of voyaging west, the crown is turned hostile to clockwise, if going east, it is swung clockwise to uncover the IATA city code in a window at 8 o'clock. A day/night marker gives more help, as does a 72-hour power hold that components another programmed 89-02 gauge.

Contemporary unitime

Brietling initially presented its Unitime watch in the 1950s and it is as yet assisting explorers today with catching planes or fly them. A turn of the crown on Transocean Chronograph model pivots both the circle bearing the time and the plate conveying the names of 24 urban areas. The 46mm watch with another Cailber 5 development has a 70-hour power save so it will keep going a long excursion.

Basically exquisite

A straightforward, uncluttered dial of the SEIKO Astron GPS Solar components a little sub dial at 8 o'clock on this sun powered controlled watch (because of hit stores soon) that elements a capable GPS reception apparatus. Including the as of late propelled Caliber 8X22, a restricted release form of this watch has a mother of pearl dial which sucks up daylight to make power. A push of the catch tells the time in 28 destinations around the globe.

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LEGENDARY ACTRESS SHAMIM ARA

Those associated with the film fraternity in Pakistan were dealt with a huge blow when legendary actress and veteran director Shamim Ara died at the age of 78 in London. She had been inactive since the turn of the new millennium but it was her efforts in the 80s and 90s that saw many film-makers turn towards the film industry, leading to the revival of the day.

Shamim Ara didn’t hail from a showbiz family; in fact she was known as Putli Bai until she became Shamim Ara in her teens. Her career began in 1958 with Kunwari Bewa but she was first noticed as Noor Jehan’s sister in Anarkali. From there onwards, there was no stopping the innocent looking girl who would go on to create history by turning first into a film producer, and later a director. She continued to actively participate in film-making till 1999 and bowed out with Pal Do Pal which was incidentally the last film of Ustad Nusrat Fateh Ali Khan as a music composer.

HER ROLES

For those who have followed films of the yesteryear, the name Shamim Ara stands for quality. Be it the role of the damsel in distress in Saheli, the tawaif who refused to bow down to the dacoit in Aag Ka Darya, the woman who couldn’t marry her love in Doraha, the lady who became a singer after being lost when young in Saalgirah or the twin sisters who were used intelligently by her corrupt uncle in Humraaz, whenever Shamim Ara took on a role, she was on a roll. Even in the final years of her career as a leading lady, she took the bold roles such as the blackmailed wife in Suhaag as well as the woman accused of having an affair with her dewar in Angaaray.

HER LEADING MEN!

Nearly all the actors from the 60s and 70s had the chance to work with one of the most established actress of our times. Shamim Ara was senior to most of her leading men including Mohammad Ali, Waheed Murad and Nadeem, yet she appeared to be at ease with all of them. She showed her versatility by working opposite Syed Kamal in multiple films before newcomers took the stage; only she could have shouted “Daku” in reply to “Tawaif” that too in front of Mohammad Ali; only she could have looked good as the confused woman in Hill Station in front of not one, but two Waheed Murads or danced for Suhdir playing her ‘Akbar Khana’ in Farangi. She also romanced Santosh Kumar, Darpan and Habib on-screen and was one of the few actresses to have worked with Zia Mohyeddin in films – they were paired together in Suhaag where Nadeem donned a moustache to play the antagonist.

HER CONTEMPORARIES

Shamim Ara managed to make a place for herself in a galaxy of stars – not only was Madam Noor Jehan active as an actress in those days but Nayyar Sultana, Sabiha Khanum and Musarrat Nazir were also making a name for themselves. With her innocent smile and good looks, Shamim Ara managed to bag roles that required a young girl and managed to impress all with her acting skills. That’s the reason why she didn’t look old even in the 70s when she was paired opposite Zia Mohyeddin (Suhaag) or asked to play as an elder sister to newcomers like Nisho (Angaaray).

THE GIANT LEAP!

At a time when female producers and directors were unheard of, Baji Shamim as she was known to all, decided to take the giant step and become a producer with Saiqa that was based on Razia Butt’s novel of the same name. She also produced a couple of movies and later turned to direction with Geo Aur Jeenay Do which didn’t do well but established her as one of the few leading ladies-turned-director. Playboy came next and became a huge hit thanks to its excellent cast and memorable songs; it was followed by countless flicks including Miss Colombo, Miss Hong Kong, Miss Singapore, Miss Bangkok, Lady Smuggler and Lady Commando. The specialty of these films were her association with Babra Sharif who was presented as an action hero(ine) rather than a damsel in distress.

… THE REVIVAL

In the 90s when Pakistan’s film industry was at rock bottom, it was Shamim Ara who laid the foundation for the revival. Not only did she buy the copyrights of Sajjad Ali’s Babia for Haathi Mere Saathi (to get the attention of potential cinegoers) but also gave full-fledged roles to Bollywood-returned Mohsin Khan, TV-import Jan Rambo (Afzal Khan) and Sahiba, daughter of her one-time co-star Nisho. If the early 90s belonged to Beta and Hum To Chalay Susral, she bounced back in the mid-90s with the star-studded Aakhri Mujra (Jawed Sheikh, Neeli, Reema, Shaan, Behroze Sabzwari) and Munda Bigra Jaye (which went on to become the biggest hit of the 90s). These flicks were followed by multi-starrers Love 95 and Miss Istanbul (Lollywood version of Pretty Woman) while Pal Do Pal, which turned out to be her swansong, had Moammar Rana and Resham dancing to Nusrat Fateh Ali Khan’s compositions.

HER LEGACY

The first time Shamim Ara won a Nigar Award was for Saheli in which she played a supporting role, hence the trophy for best supporting actress. She got her best actress awards for Farangi, Naila, Lakhon Main Aik, and Saiqa – all between1964 and 1968 – her top years as an actress. She received back-to-back Nigar Awards in 1993 and 1994, as well as for the best director for her flicks Haathi Mere Saathi and Aakhri Mujra while was awarded a Special Award the same year by the Nigar people for her services to the Pakistan film industry. Shamim Ara proved to be a role model for the upcoming generation as most of the actresses who followed her copied her style to become successful. But there was only one Shamim Ara and there will only be one Shamim Ara

Eye Make up | Elegent and stylish

Prep your face well by scouring, conditioning and saturating before the make-up schedule. Apply an orange correcter under the eyes and on any skin inflammation spots and scars you may have. Mix it somewhat then apply establishment and concealer most appropriate for your skin tone. Keep in mind to highlight the internal corners of your eyes with gold or silver shine toward the end.

Day time undertaking – A splendid and immaculate hope to go for on a hot summer day, these eyes will liven up any outfit. This make-up emits solid summer vibes with eyes sufficiently brilliant to convey the expression all alone. Include pink tones for a characteristic tint on the lips and cheeks.

You require a clear and spotless canvas to keep the liveliness in place and make this work. Draw a bend simply over the eyelid with a corroded orange pencil and mix a little upwards. Apply a white cream shadow over the cover with a sharp refinement between the pencil line and shadow; don't mix. This white cream lying underneath the real shading you need to show will make the tint seem brighter. Utilize a brilliant green shade from a cream pot over the white shadow amplifying it a bit for a winged impact. Decide on cream over shadow as there is less risk of drop out and blurring for the duration of the day. Complete off with a winged eyeliner, white eye pencil on the water line to open up the eyes and make them seem enormous, and a decent volumising mascara for a doll-eye impact.

Night out – This great can be the perfect thing for a formal night out. Only a slight insight of shading will give your eyes a general pop while keeping up the earnestness of a smokey impact. Since this look pulls center towards your eyes, keep whatever is left of the components straightforward however highlighted for an all around adjusted, chic impact. Go for an unpretentious sulk and glowy, dewy cheeks.

Prep your eyelids with an eye preliminary and pencil your eyebrows, if need be. Apply a silver eye shade to highlight the forehead bone and inward corner of the eye. Utilize a beige shade just beneath the browbone; this will serve a delicate move shading between two sharp shades and will help in mixing the two together. Apply a dim shade of the shading you need the smoke to be on the external corner of the eye and mix inwards. Pat a brilliant green shade in the focal point of the eyelid and mix it every which way, in any case, keep the convergence of the shading in the inside most part of the cover. Line the upper and lower lash line with a dark pencil and smirch the same on the lower lash line in descending strokes. Apply a thick dark liner in any style you wish. Complete the look with different layers of volumising mascara. You can put a bit of tape slantingly on the external corner of the eye for a sharp, clean application. This will likewise keep the drop out items off your face. For any leftover item, utilize a major forget about to brush it and afterward apply concealer under the eyes.

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INDIA COUTURE 2016 | Fawad Khan and Deepika Padukone

For each one of those ladies and grooms filtering through creator looks, some more motivation is coming your way as India Couture Week occurred as of late showcasing works of 11 architects in the five-day long occasion. Manish Malhotra opened the couture week with a Bollywood nearness. His accumulation, The Persian Story was opened by Fawad Khan and Deepika Padukone shut it with aplomb. The accumulation commended old-world weaving, genealogical Indian patterns and Persian impacts. Khan looked totally brilliant and superb in his solids clothing, and Padukone's sparkling red lehenga with substantial gold weaving gave a fitting difference.

Tarun Tahiliani set up his lady demonstrate Last Dance of the Courtesan, which included mark quieted shades of peaches and creams, nudes and iced mints for the lady of the hour who likes to play it unobtrusive.

Gaurav Gupta showcased gentler pastels with choices of vintage tones like English blue, lavender and cherry. Manav Gangwaniís Begum-e-Jannat had groups with zardozi work in vintage gold with a blend of regal shades like perfect ivories and naval force blue.

Reynu Taandon's accumulation was roused by the cuts, hues, fabric and artworks of Rajasthan. Performing artist Divya Khosla Kumar strolled as the work of art for Kamangari. Rimple and Harpreet Narula fused old-world weavings and themes as the motivation for their gathering named Hiraeth. The motivation originated from the late author Kahlil Gibran's words. Rahul Mishra intended to capture the sentiment of the blustery season in his accumulation, Monsoon Diaries, adhering to the convention of mind boggling hand-done specifying, which Mishra's themes took from changed components of nature. Delightful peacocks and season-immaculate blooms can be seen in his outfits. Varun Bahl adores his florals, and this time as well, it appears like the foliage sentiment proceeded. His adaptable shading palette ranges from delicate pastels like pistachio, duck-egg blue, and pale pink to more grounded tones like mustard, fuchsia, and midnight blue.

Known for loaning her mark Jaipuri-touch to marriage wear, Anita Dongre showcased her accumulation, Epic Love. The manifestations highlighted gem conditioned troupes, which drew motivation from Mughal and design themes, with gota patti alongside the prints. It was her first appearance at the couture week.

Anamika Khanna set up an idyllic accumulation. While exemplary blacks, golds and vermilions with a touch of poppy florals appeared to make a rebound in mark style at Rohit Bal's finale.